My ideal "fivelet", five maille rings riveted together. This view is of the peened side, on which the rivet heads
are semi spherical.
The opposite side of the fivelt, showing the rivet head created by the tack. The nice thing about carpet tacks is that they
are made of low carbon steel just like the stock material and have a flat side, unlike wire. The not-so-nice things are shoddy
manufacturing which means mold lines that must be filed down, and a rectangular cross section that must be filed into a circular
one to fit into the rivet-hole. Also the tip must be snipped off each tack to make the perfect shaft size for the rivet.
A picture of the inside of a coif, a head protector. Not many of the rings have been riveted in this picture, but the coif
has grown since then. I am using a pattern of expanding rows starting with one ring, then a row of 10, 10, 15, 15, 20 etc.
Expansion rings connect 3 rings rather than four and must be evenly spaced to present a uniform look. Contraction rings
connect five rings, but i have not yet progressed to the stage at which I will need them.
A close up of the previous picture.
This is the outside of the coif; notice the flat heads of the rivets. I decided to use the flat head as the outside because
they would grab the fabric of the gambeson more than the semi-spheres of the inside. Authentic round-rivet maille, as in
some of the Viking hauberks, had semi-spheres on both sides of the rivets! I assume and have read that this was accomplished
using a special pliers with semi-spherical depressions in both jaws. Also certain individual rings were stamped with writing
and could be stamped with the name of the craftsman.
Finally a close-up of the outside of the coif.
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